THE COMPANY
The company creates Art & Science works at the crossroads of all the performing arts, where dancers and actors, musicians, videographers and photographers, scientists and many others coexist and collaborate. Under the artistic direction of Peggy Hugon, we craft multidisciplinary pieces that invite us to rethink and reshape the boundaries of art, welcoming a vital porosity between aesthetics. Our influences are many—and it is from this very diversity that the richness of our creations arises. Since its founding, the company has turned toward contemporary issues, reflecting the deep involvement of its various artistic contributors. Compagnie TESTUDINES is currently exploring the duality between Body and Mind.
The Sens of Art, or the Art of Giving Meaning
This aphorism, created by Peggy HUGON, beautifully embodies the spirit in which the company evolves.
I TESTUDINES I The scientific name for the order of turtles. Why this choice? Because for us, the turtle is a totem—one we carry with deep humility.
To strive to make art accessible as a revealer,
as a detonator,
as an imprint upon our souls!
And to LIVE!
Peggy HUGON
Our missions
The Company was created to enable the greatest number of people to share artistic and cultural experiences that encourage curiosity, discovery and encounters, in spirit of conviviality and openness.
CREATE ORIGINAL WORKS
The Company is implementing a cultural and artistic project, the essential aim of which is to enable the discovery of works without any preconceived ideas about the cultural practice used.
TO SUPPORT AND DEVELOP ACCESS TO CULTURE FOR AS MANY PEOPLE AS POSSIBLE
The Company wishes to encourage and develop the free expression and creativity of each individual. it encourages artistic encounters and the mixing of cultures and genres.
PROMOTE ACCESS TO CULTURE
The Testudines Company wishes to promote access to culture for all audiences, even the most farthest away.
DRIVING DYNAMIQUES
To stimulate collective and partnership dynamics for research and / or prevention information according to the themes developed in its creations.
The echos of network
The Testudines Company values community spirit and, as such, participates in several groups that foster creativity, solidarity and, ultimately, freedom.
Federation of Participatory Arts and Shared Creations (founding member)
AUVERGNE LIVE PERFORMANCE
ENTREPRENEURSHIP IN CULTURE
grouping of independent choreographic production actors in Auvergne Rhône-Alpes
collective through art
THE TESTUDINES
PEGGY HUGON
DIRECTOR
AUTHOR
COMPOSER
ACTRESS
ARTISTIC DIRECTION
After a career as a teacher and researcher, Peggy Hugon decided to reveal her artistic side, which she had always nurtured, by founding the TESTUDINES Company to create interdisciplinary works that invite us to rethink the boundaries of art. Trained in the performing arts from an early age and an accomplished multidisciplinary artist, Peggy Hugon has developed a wealth of artistic experience in dance, theatre and music. Her work is distinguished by a participatory and interdisciplinary approach to arts and sciences, creating works that question society and our relationship with life.
Her artistic approach is marked by a desire to make visible the invisible, the tenuous, the sensitive, the other, the distant, the near, the whole and, ultimately, the connections between them. She considers art to be a revealer, a detonator, a marking of souls. Her minimalist and immersive vision plays on dramatic tensions and different degrees of sensitivity, and this is where the full meaning of her artistic exploration lies. She seeks to provoke an organic, cathartic and realistic experience through raw and refined forms of scenic narration. Her artistic influences are manifold, and this is where the richness of her artistic perspective lies, which has very few limits.
She conceives her creations as spaces for dialogue between arts and sciences, where each project is an invitation to rethink the way we perceive and interact with the world and with ourselves. She regularly collaborates with researchers and other artists to develop unique works. For several years, her work has explored the question of body/mind duality. Her creations have as their common denominator humanity in the broadest sense of the term, in all its diversity and interaction with others. Often from the perspective of feeling in its broadest sense.
Thanks to her experience and human values, Peggy Hugon attaches particular importance to passing on and making culture accessible. She therefore bases her approach on cultural rights and, beyond the local mediation activities she is particularly fond of, develops unique participatory and inclusive creations by involving non-professional audiences in the creative process, which falls within the new field of participatory arts.
Peggy HUGON attaches particular and essential importance to showcasing the works created during the mediation process and to leaving a record of the human adventures experienced. She is particularly fond of the relationship with images through the short audiovisual works produced by the TESTUDINES company as a sensitive record of the paths taken.
LUCIE ANANIKIAN
Production Manager and Touring Manager
After studying tourism and cultural mediation, Lucie turned to the performing arts by completing a civic service programme at the Théâtre du Gai Savoir. Wanting to accompany and support artistic projects, she is continuing her studies with a master's degree in performing arts. artistiques, elle continue ses études en master d’arts de la scène.
During this year of training, she will work with the Novencento Company (communication, dissemination, implementation of cultural of cultural activities). It was out of a desire to learn how to help artistic projects in a practical way that she enrolled at ENSATT in the performing arts administration programme to train in administrative and production tasks.
During her studies, she completed her first internship at the Théâtre du Peuple, providing administrative support and working in audience reception. She then joined the TESTUDINES theatre company, working in production and distribution.
FRÉDÉRICK BORROTZU
COMPOSER MUSICIEN
STAGE DESIGNER
Technical Director
With a D.U.T. in Electrical Engineering and Industrial Computing obtained in 1995, Frédérick Borrotzu began his professional career in the industry and construction sector, notably as a technician and project manager in a design and research office at Renault for 10 years.
Self-taught drummer and bass player, he continues in parallel his artistic practice that he started at the age of 14. He toured with the group Magouv from 1990 to 1998, opening for the Wailers, and was part of many studio recordings from 2000 to 2008. He will then be general manager for 2 years at the Allégro theater in Miribel and will work 5 years at the SUBS in Lyon. In 2014, he obtained a Master's degree in Technical Management of Live Performances at ENSATT / INSA in Lyon. In 2016 he became a temporary teacher for the Sound Management course in the Technical Studies section of the same school.
Frédérick Borrotzu multiplies his experiences and develops his skills. With several strings to his bow, he is in turn technical director, stage manager, project manager, composer, set designer and builder, sound manager. He has worked with the Amicale de production, the Rictus-David Bobée Company, the Chiens de Navarre Company and many others.
He collaborates on various technical and/or artistic projects with La MC2 and the Bullukian Foundation.
Since 2018, he is the technical director of the Testudines Company and participates in various artistic projects as a composer and set designer.
RÉGIS ESTREICH
MUSICIEN COMPOSER
STAGE MANAGER
Composer, author, photographer and self-taught director born in 1977 in the north-east of France.
His musical universe embraces acoustics and electronics, favoring melody, breathing and sound accident.
Working mainly with computer tools and new techniques of composition and recording, he is first of all a guitarist and keyboard.
By using built or modified instruments, as well as different techniques of composition and sound work, he develops a singular sound personality, combining the precision of studio work with the impromptu improvisation.
In a process of experimentation and narrative evocation, his music is intended in particular for live performance, cinema and multimedia creation.
VINCENT LAMBINET
MUSICIEN COMPOSER
LIGHTING DESIGN AND STAGE MANAGEMENT
A trained musician with a degree from the Meaux Conservatory, Vincent discovered live performance through composing original music. He has been working with the Rêve de singe company for over 10 years, as well as on school art projects and for various contemporary dance companies.
After training as a multi-skilled technician at Grim Edif in 2017, he joined the technical team at the Tony Garnier exhibition centre before deciding to return to music production.
At the same time, as a stage manager, he joined the Testudines theatre company in 2023 and continues to develop his knowledge and creativity by exploring the world of lighting.
SÉBASTIEN MERLIN
MUSICIAN COMPOSER
LIGHTING DESIGN AND STAGE MANAGEMENT
At the age of six, he joined his first gymnastics class. This was followed by sixteen years of intensive training, which played a major role in his education. At nineteen, he discovered dance and music. From 1999 to 2001, he trained at the CNDC (National Centre for Contemporary Dance) in Angers.
At the same time in relation to his professional career as a performer between 2002 and 2008, sound and light have a privileged place in his work.
In 2008 he trained as a multi-skilled technician (sound, light, stage) at the GRIM EDIF graduate school in Lyon.
In parallel he undertake a renovation project from 2007 to 2009 in order to create a place for artistic residency called L'atelier du Janin.
He joined the TESTUDINES company for the creation of SEDNA, providing sensitive and intimate lighting for this piece. He then participated as a musician, composer and author in LA DANSE DES POETES and, in 2025, MURMURE(S).
CLARA SERAFINI
DANCER PERFORMER
CHOREOGRAPHER
Clara Serafini trained at the Conservatoire de Lyon and then at the PSPBB in Paris, where she obtained her DNSPD (National Higher Professional Diploma in Dance) and a bachelor's degree from Paris 8 University in ‘Choreographic Performing Arts’. She furthered her work alongside choreographers such as Barak Marshall, Claude Brumachon and Elisabeth Roxas. In 2017, she continued her career at the Ballet Junior de Genève, exploring pieces by Hofesh Shechter, Maguy Marin, Alexander Ekhman and Olivier Dubois. Clara then became a freelance dancer and travelled to Saudi Arabia with the Balich company, to street festivals with Florence Bernad's solo piece ‘Lullinight’ and to Geneva to perform in the opera ‘Les Huguenots’ at the Grand Théâtre.
She now works with Cie (1)Promptu, which she joined in 2020 to reprise her role in the play ‘Quatuor à corps pour Mozart’ and in the 2021/2022 production ‘Le Carnaval des animaux’.
His desire to combine different disciplines with dance led him to work on the piece ‘Petit Bleu et Petit Jaune’ by the Rêve de Singe company, in which dance and climbing come together.
Clara also works on social issues with the Testudines Company on the play ‘SEDNA’, a play about incest, and then the 2022/2023 creation ‘Blob’, combining science, dance and theatre. She also meets Frédéric Cellé and the work of the Grand Jeté company.
Clara began working with Cie Lamento in 2023, reprising her role in the play Voyage au bout de l’ennui (Journey to the End of Boredom). She is currently filming Cie Lamento's latest creation, the duet "Gagnés par la nuit" (Won Over by the Night) with Sylvère Lamotte, inspired by Roland Barthes' "Fragments d'un discours amoureux" (Fragments of a Lover's Discourse).
LAURELINE DROUINEAU
DANCER PERFORMER
Laureline began her training at the age of 14 at the Conservatoire du Grand Avignon in 2016, where she practised jazz, contemporary and classical dance. During her studies, she obtained her DEC in jazz and contemporary dance in 2017 and 2018. In 2020, she joined the Cobosmika Junior Company in Spain for two years, during which time she explored theatre in addition to contemporary and classical dance. As part of her training, Laureline participated as a performer in creations with the Compagnie MF, Ezio Schiavulli, Jos Baker, Mathieu Geffré, Peter Mika and Claire Pernette. In 2021, she reprised repertoire pieces such as those by Humanhood and Ivan Pérez. In April 2022, she presented her solo piece entitled Tuba at the Aula Theatre in Spain.
At the same time, she participated for several years in All Styles battles organised by Xpress Your Soul, Maxime Cozic (Cie Felinae) and the Wynkl Danse Festival (Dis)connected, reinforcing her taste for urban aesthetics. Curious by nature, she is interested in many styles and has refined a hybrid style combining contemporary dance, hip hop and theatre.
In April 2023, she worked on a revival with the Compagnie Carna in the play Des Femmes Respectables. That same year, she joined the Lamento Company for a revival of Voyage au bout de l’ennui, and also danced in two in situ performances as part of the Transhumances. It was within this company that she developed a deep interest in contact dance, which led her to train as an acrobat in the execution of large lifts. In addition, Laureline is gradually training in acrobatics, a discipline that particularly stimulates her and feeds her quest for physicality.
Gradually, she developed a genuine interest in passing on her knowledge. She runs workshops for children, but also for teachers and parent/child pairs, which she considers to be rich and essential spaces for exchange in her artistic journey.
CLÉMENT FLEURIEL
Dancer - Performer
CHOREOGRAPHER
Clément commence sa formation en tant qu’artiste en prenant des cours de théâtre au conservatoire de Rouen dont il sort diplômé pré-professionnellement avec les félicitations du jury. Il commence en parallèle des cours de danse et a l’opportunité de rejoindre une formation professionnalisante à Genève et rentre, deux ans après, au Ballet Junior de Genève. Il en sort diplômé de la promotion 2019 à 23 ans. Il commence sa carrière de danseur international dans des compagnies européennes, pour le BalichWorldTour (en Arabie Saoudite), pour la cie Jetzt, le Grand théâtre de Genève, etc.
In 2021–2022, he danced and then became a choreographic assistant for the BOKOBOK company. In 2023, he opened his contemporary dance company, SIMIA GLABER. In 2024, he began working with Karine Saporta, for whom he still performs. His choreographic experiences led him to explore the work of Hofesh Schechter, Maguy Marin, Akram Khan, and others.
His choreography, which is constantly evolving, draws on Flying Low, Gaga dance, improvisation and dance theatre, exploring flow, weight, grounding, movement in space and expressiveness. He enjoys sharing his work with amateur and professional audiences and teaches classes at Karine Saporta's school. He is also a substitute teacher in Neuilly-sur-Seine. He works as a professional actor in a Russian theatre project that will premiere in 2026. He is a contemporary dance critic at La Villette for the online magazine ZoneCritique.
He also holds a degree in philosophy and, thanks to this, takes a keen interest in epistemology and phenomenology, particularly that of Merleau-Ponty and Heidegger. A reader of poetry, he is passionate about the poetic practice of René Char and Jean Genet, and the boundaries of language, whether physical or verbal.
NICOLAS GARSAULT
DANCER PERFORMER
Nicolas began dancing at the age of 12 at La Manufacture-Vendetta Mathea, where he started with contemporary dance, hip hop and tai chi. At the age of 17, he took part in the creation of Homme|Animal by the Vendetta Mathea company and embarked on an international tour, performing at the Festival d'Avignon, the Edinburgh Fringe Festival, the Baryshnikov Art Centre in New York, and more.
In 2010, he enrolled at the CNSMD in Paris to study contemporary dance, thus completing his technical training with classical dance, Graham and Cunningham techniques. He further developed his training as a performer with teachers such as Christine Gérard, André Lafonta, Peter Goss, Nathalie Pubelier and Didier Silhol. In his final year, he participated in creations by various guest choreographers, including Cristiana Morganti, Jarek Cemerek, Christine Bastin and Roy Assaf, and presented a choreography by Hofesh Shechter for his DNSP, his end-of-studies award.
At the same time, he pursued a university degree with a Bachelor's in Performing Arts, a Master's in Cultural Project Management, and an end-of-studies internship in the video game industry.
Following this, he participated in several productions and tours with Claude Brumachon, Christine Bastin, Marie Zawada, Jérôme Bel, François Veyrunes, Kaori Ito, Sylvère Lamothe, and Farm In The Cave in the Czech Republic.
Today, drawing on these diverse experiences, his practice mainly reflects a style of movement close to physical theatre, with an attraction to contact and acrobatic dance.
He has also developed an interest in passing on his knowledge by running several workshops for children and adults over the past few years.
SEB GÉO
PHOTOGRAPHER
BAPTISTE DUVAL
VIDEOGRAPHER - ETIK PRODUCTION
HEDHIE ZENNAF
VIDEOGRAPHER - DIADA PRODUCTION
HOMER PETRICH
SOUND ENGINEER
KARINE
ADMIN
SOPHIE
ADMIN
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